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This image released by Lionsgate shows Wes Robinson, left, and Valorie Curry in a scene from Blair Witch.
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While each received glowing reviews, these and other franchises racked up numerous lower quality sequels and the sub-genre is now generally thought to be on its last legs.Įnter longtime collaborators Adam Wingard and Simon Barrett, the respective director and screenwriter behind Blair Witch, the latest installment in the franchise, which had its world premiere at the Toronto International Film Festival on Sunday. The iconic final shot from The Blair Witch Project. The original has spawned myriad imitations, with found-footage movies such as Cloverfield, Rec and Paranormal Activity saturating the market over the following decade or so.
Budget for the blair witch project 2016 movie#
It made use of viral online marketing in a way no movie had attempted before and, despite its tiny $60,000 budget, managed to make $248 million worldwide.īook of Shadows, a glossy, special effects-laden sequel that dispensed with the found-footage formula, was rushed out a year later and universally derided, putting the franchise on ice for 16 years. Since its inauspicious release on 27 screens in 1999, the pioneering film from Eduardo Sanchez and Daniel Myrick has been hailed as a modern horror classic, despite having no special effects, monsters or gore. Shot on a shoestring with cheap video cameras and unknown actors, The Blair Witch Project established the “found-footage” sub-genre, redefining horror and breathing new life into indie filmmaking.